{"id":59,"date":"2020-09-19T16:45:36","date_gmt":"2020-09-19T14:45:36","guid":{"rendered":"https:\/\/ediptix.net\/?page_id=59"},"modified":"2020-09-29T23:42:34","modified_gmt":"2020-09-29T21:42:34","slug":"universal-emotions-from-nephylion","status":"publish","type":"page","link":"https:\/\/ediptix.net\/fr\/47-2\/universal-emotions-from-nephylion\/","title":{"rendered":"Universal Emotions From Nephylion"},"content":{"rendered":"\n<h6 class=\"has-text-align-center wp-block-heading\">Universal Emotions from Nephylion ESt NOTRE TROISIEME album PUBLIE EN JANVIER 2020.<\/h6>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-1 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-vertically-aligned-center is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\">\n<figure class=\"wp-block-embed-spotify wp-block-embed is-type-rich is-provider-spotify wp-embed-aspect-9-16 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Spotify Embed: Universal Emotions from Nephylion\" width=\"100%\" height=\"380\" allowtransparency=\"true\" frameborder=\"0\" allow=\"encrypted-media\" src=\"https:\/\/open.spotify.com\/embed\/album\/4SuR3E8ILcuJFrvWGcAowY?si=3Kwji8pVSK69SMQmgB7NJQ\"><\/iframe>\n<\/div><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-vertically-aligned-center is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<p>1 &#8211; Time In (0:33)<br>2 &#8211; L&rsquo;Ame (8:34)<br>3 &#8211; Changing Mood (6:26)<br>4 &#8211; Blue Sun (6:32)<br>5 &#8211; Hommages (6:02)<br>6 &#8211; Inhuman Man (4:38)<br>7 &#8211; Anachord (5:42)<br>8 &#8211; Fragment I (1:45)<br>9 &#8211; Between The Lines (6:40)<br>10 &#8211; Interval (3:56)<br>11 &#8211; Fragment II (0:56)<br>12 &#8211; Optimism (6:10)<br>13 I &#8211; (Wasn&rsquo;t\u2026Am\u2026Won&rsquo;t Be) (15:03)<\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-group\"><div class=\"wp-block-group__inner-container is-layout-flow wp-block-group-is-layout-flow\">\n<p class=\"has-text-align-center\">Cet album est disponible sur les plateformes de streaming sous le label Freaksville records (27 Mars 2020).<\/p>\n\n\n\n<p><strong>01 Time In (Intro)<br><\/strong>Date de cr\u00e9ation : janvier 2020<br>Date de finalisation : janviers 2020<\/p>\n\n\n\n<ul><li>Instruments : Clock free VST<\/li><li>Samples : NA<\/li><li>Musique : EdiptiX<\/li><li>Paroles : NA<\/li><li>Chant : NA<\/li><\/ul>\n\n\n\n<pre class=\"wp-block-verse\">Anecdote : Il fallait bien commencer avec quelque chose en rapport avec le temps\u2026 Contient un savant mix de toutes les chansons de l\u2019album.<\/pre>\n\n\n\n<hr class=\"wp-block-separator is-style-wide\"\/>\n<\/div><\/div>\n\n\n\n<p><strong>02 L\u2019\u00e2me<br><\/strong>Date de cr\u00e9ation : f\u00e9vrier 2019<br>Date de finalisation : d\u00e9cembre 2019<\/p>\n\n\n\n<ul><li>Instruments : Alesis Micron, DSI Rev2, Yamaha EX7, Sonic Cell, Korg Z1; VST : GrooveAgent 4<\/li><li>Samples : NA<\/li><li>Musique : EdiptiX<\/li><li>Paroles : VicomtiX<\/li><li>Chant : VicomtiX<\/li><\/ul>\n\n\n\n<pre class=\"wp-block-verse\">Anecdote : La ligne de basse est reprise d\u2019une jam session o\u00f9 une fois de plus nos amis d\u2019EdiptiX se sont laiss\u00e9s inspirer par Jean-Michel, ma\u00eetre incontest\u00e9 des claviers.<br>Ce morceau ouvre l\u2019album et tente une eploration dans les m\u00e9andres de l\u2019\u00e2me.<\/pre>\n\n\n\n<p>Lyrics<br>Le gouffre du temps<br>S\u2019enfonce de le labirynthe de l\u2019\u00e2me<\/p>\n\n\n\n<p>La force de l\u2019\u00e2me<br>Fait plier le temps<br>L\u2019\u00e2me traverse le temps<br>L\u2019\u00e2me\u2026l\u2019\u00e2me\u2026l\u2019\u00e2me<br>L\u2019\u00e2me est le temps<br>L\u2019\u00e2me est le temps<\/p>\n\n\n\n<hr class=\"wp-block-separator is-style-wide\"\/>\n\n\n\n<p><strong>03 Changing Mood<br><\/strong>Date de cr\u00e9ation : d\u00e9cembre 2018<br>Date de finalisation : d\u00e9cembre 2019<\/p>\n\n\n\n<ul><li>Instruments : Roland Gaia, DSI Rev2, Moog Sub37; VST : GrooveAgent 4, , Hypnodance, HALion Sonic, Vocal Synth, Retrologue, Padshop<\/li><li>Samples : NA<\/li><li>Musique : EdiptiX<\/li><li>Paroles : VicomtiX<\/li><li>Chant : VicomtiX<\/li><\/ul>\n\n\n\n<pre class=\"wp-block-verse\">Anecdote : Et si on essayait quelque chose de diff\u00e9rent ? On change donc d\u2019ambiance et d\u2019humeur dans cette chanson aux relents plus pop, jazz, rock\u2026sans pour autant perdre l\u2019\u00e2me d\u2019EdiptiX.<\/pre>\n\n\n\n<p>Lyrics<br>I Feel Lonely<br>So lonely in the dark<br>The sky is grey<br>And the rain is pouring down<br>Light is like a shadow<br>Nothing else to do<br>Nothing\u2026<br>Nothing\u2026 but wait<br>Ooh\u2026 Suddenly the sky is turning blue<br>The clouds disappear<br>And the blue is lightning<\/p>\n\n\n\n<p>I feel good now<br>I feel good now<\/p>\n\n\n\n<p>Ouuhh\u2026 I wanna dance<br>Oh\u2026 Or maybe a little bit later<br>Well, I don\u2019t know\u2026 It depends<br>Mmh\u2026 Music\u2019s good<\/p>\n\n\n\n<p>I feel like a child<\/p>\n\n\n\n<p>Mmh.. Take some rest now<\/p>\n\n\n\n<p>Time to go ahead<br>This is amazing<br>This sound is really good<\/p>\n\n\n\n<p>Just don\u2019t know what to do<br>Just don\u2019t know what to say<br>Except it\u2019s so beautiful<br>I like the way it sounds<\/p>\n\n\n\n<p>Feel better and better now<\/p>\n\n\n\n<p>Calm down.. Calm down<br>Take a deep breath<br>Think ahead<\/p>\n\n\n\n<p>It swings now<br>Mmh.. Great<br>I also like the congas<\/p>\n\n\n\n<p>For sure I will dance now<\/p>\n\n\n\n<p>It really sounds good<br>Funny\u2026 And happy<\/p>\n\n\n\n<p>This is the way I feel<br>This is the way I feel<br>I feel happy now<br>I feel happy now<br>This is the way I feel<\/p>\n\n\n\n<hr class=\"wp-block-separator is-style-wide\"\/>\n\n\n\n<p><strong>04 Blue Sun<br><\/strong>Date de cr\u00e9ation : f\u00e9vrier 2019<br>Date de finalisation : janvier 2020<\/p>\n\n\n\n<ul><li>Instruments : Alesis Micron, DSI Rev2, Moog Sub37, Yamaha EX7, Sonic Cell; VST : GrooveAgent 4, Hypnotic Dance, HALion 2, Halion Sonic SE<\/li><li>Samples : NA<\/li><li>Musique : EdiptiX<\/li><li>Paroles : NA<\/li><li>Chant : NA<\/li><\/ul>\n\n\n\n<pre class=\"wp-block-verse\">Anecdote : On y revient toujours \u00e0 ce son de \u00ab piano strings \u00bb utilis\u00e9 jadis dans l\u2019ancien groupe bien planant d\u2019Esynth. Rien de tel pour la composition et puis laissons nous aller\u2026<\/pre>\n\n\n\n<hr class=\"wp-block-separator is-style-wide\"\/>\n\n\n\n<p><strong>05 Hommages<br><\/strong>Date de cr\u00e9ation : avril 2019<br>Date de finalisation :<\/p>\n\n\n\n<ul><li>Instruments : no hardware; VST : HALion Symphonic Orchestra, Spector, Mystic, Padshop, HALion Sonic<\/li><li>Samples : \u00ab This track contains samples from President John Kennedy\u2019s address at Rice University on the nation\u2019s space effort (12\/09\/1962) \u2013 \u00a9 Public Domain.<\/li><li>www.jfklibrary.org\/learn\/about-jfk\u2026ns-space-effort \u00bb<\/li><li>Musique : VicomtiX<\/li><li>Paroles : NA<\/li><li>Chant : NA<\/li><\/ul>\n\n\n\n<pre class=\"wp-block-verse\">Anecdote : \u00ab Au d\u00e9part, une simple envie d\u2019explorer le VST HALion Symphonic Orchestra\u2026 au final un double hommage, d\u2019une part aux hommes et femmes qui conqu\u00e8rent l\u2019espace, et d\u2019autre part au compositeur Gustav Mahler.<br>Une cohabitation de 2 univers, l\u2019espace, le futur et les sons stellaires d\u2019un c\u00f4t\u00e9 et la douceur et les sons classiques de l\u2019autre c\u00f4t\u00e9.<br>Le tout est \u00e9tay\u00e9 par un discours mythique en version revisit\u00e9e. \u00ab<\/pre>\n\n\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\"><p>This song is a tribute to all those men and women who conquered space\u2026 and still carry on this endeavour, aspiring to discover the origins of life and the purpose of humanity.<br>A blend of vintage orchestral instruments and synthesized sounds epitomizes the timeless and steady vastness of space as well as the cutting-edge technology required to explore this hostile infinity.<br>With a subtle sprinkle of \u00ab We choose to go to the moon \u00bb.<\/p><\/blockquote>\n\n\n\n<p>Text<br>The vast stretches of the unknown<br>and the unfinished<br>still far outstrip<br>the 50,000 years<br>of man\u2019s recorded history<\/p>\n\n\n\n<p>Man emerged from his caves<br>man learned to write<br>and use<br>the steam engine<br>new sources of power<br>electric lights, telephones, automobiles, airplanes, television<br>and nuclear power<br>Create new ills, new ignorance, new problems, new dangers<br>So, move forward\u2026<\/p>\n\n\n\n<p>His quest for knowledge<br>is one of the great adventures of all time<br>we mean to be a part of it<br>we mean to lead it<br>new knowledge and new rights<br>new techniques of learning<br>new tools and computers<br>will become a force for good<\/p>\n\n\n\n<p>This conquest deserves the best of all mankind<br>We do not intend to stay behind<br>Why climb the highest mountain<\/p>\n\n\n\n<p>We choose to go to the moon<br>because that goal will serve the best<br>of our energies and skills<br>not because they are easy<br>but because they are hard<\/p>\n\n\n\n<p>I am delighted to be here<\/p>\n\n\n\n<hr class=\"wp-block-separator is-style-wide\"\/>\n\n\n\n<p><strong>06 Inhuman Man<br><\/strong>Date de cr\u00e9ation : janvier 2019<br>Date de finalisation :<\/p>\n\n\n\n<ul><li>Instruments : Sonic Cell, Roland D50, NordLead, DSI Rev2, Yamaha Motif, Moog Sub37; VST : Break tweaker, Omnisphere 2<\/li><li>Samples : NA<\/li><li>Musique : Esynth<\/li><li>Paroles : Robert Burns \u2013 The Wounded Hare<\/li><li>Chant : VicomtiX<\/li><\/ul>\n\n\n\n<pre class=\"wp-block-verse\">Anecdote : Un morceau con\u00e7u par Esynth afin d\u2019\u00eatre intr\u00f4nis\u00e9 \u00e0 la \u2018Burns\u2019 Night\u2019. La version qui figure sur l\u2019album est pass\u00e9e entre les mains d\u2019EdiptiX qui l\u2019a desoss\u00e9e et remont\u00e9e enti\u00e8rement\u2026 Seules les bells d\u2019introduction sont les vestiges de la version initiale.<\/pre>\n\n\n\n<p>Text<br>(Robert Burns \u00ab Wounded Hare \u00bb)<br>Inhuman man!<br>Curse on thy barb\u2019rous art,<br>And blasted be thy murder-aiming eye;<br>May never pity soothe thee with a sigh,<br>Nor ever pleasure glad thy cruel heart.<\/p>\n\n\n\n<p>Poor wanderer of the wood and field!<br>The bitter little that of life remains<br>No more the thickening brakes and verdant plains<br>To thee shall home, or food, or pastime yield.<\/p>\n\n\n\n<p>Inhuman man<br>Inhuman man<br>Go live<\/p>\n\n\n\n<p>Seek, mangled wretch, some place of wonted rest,<br>No more of rest, but now thy dying bed!<br>The sheltering rushes whistling o\u2019er thy head,<br>The cold earth with thy bloody bosom prest.<br>Oft as by winding Nith, I, musing, wait<br>The sober eve, or hail the cheerful dawn;<br>I\u2019ll miss thee sporting o\u2019er the dewy lawn,<br>And curse the ruffian\u2019s aim, and mourn thy hapless fate.<\/p>\n\n\n\n<p>Inhuman man<br>Inhuman man<br>Go live<\/p>\n\n\n\n<p>Go Liiiiiive<\/p>\n\n\n\n<hr class=\"wp-block-separator is-style-wide\"\/>\n\n\n\n<p><strong>07 Anachord<br><\/strong>Date de cr\u00e9ation : f\u00e9vrier 2019<br>Date de finalisation :<\/p>\n\n\n\n<ul><li>Instruments : DSI REv2, Yamaha EX7, Alesis Micron, ; VST : GrooveAgent 4, Cubase Sampler<\/li><li>Samples : free vocal samples from Christophe Ghosthack<\/li><li>Musique : EdiptiX<\/li><li>Paroles : NA<\/li><li>Chant : NA<\/li><\/ul>\n\n\n\n<pre class=\"wp-block-verse\">Anecdote : Ce morceau provient du t\u00e9l\u00e9scopage entre une id\u00e9e simpliste inexploit\u00e9e sur notre premier album et notre envie de voir comment il serait possible de s\u2019inspirer d\u2019un morceau aussi original que Zoolook de\u2026 (ben oui encore lui).<\/pre>\n\n\n\n<hr class=\"wp-block-separator is-style-wide\"\/>\n\n\n\n<p><strong>08 Fragment I<br><\/strong>Date de cr\u00e9ation : mars 2019<br>Date de finalisation : janvier 2020<\/p>\n\n\n\n<ul><li>Instruments : DSI REv2, Yamaha Motif XS; VST : Cubase<\/li><li>Samples : NA<\/li><li>Musique : EdiptiX<\/li><li>Paroles : NA<\/li><li>Chant : NA<\/li><\/ul>\n\n\n\n<hr class=\"wp-block-separator is-style-wide\"\/>\n\n\n\n<p><strong>09 Between The Lines<br><\/strong>Date de cr\u00e9ation : f\u00e9vrier 2019<br>Date de finalisation : janvier 2020<\/p>\n\n\n\n<ul><li>Instruments : Moog Sub37, Waldorf Streichfett, DSI Rev2, Novation Mininova; VST : GrooveAgent 4, Retrologue, HALion 6, Creepy Piano free VST, Hypnotic Dance, DRMR<\/li><li>Samples : NA<\/li><li>Musique : EdiptiX<\/li><li>Paroles : NA<\/li><li>Chant : NA<\/li><\/ul>\n\n\n\n<pre class=\"wp-block-verse\">Anecdote : Inspir\u00e9 par une jam session (nom de code Live0022), un morceau inclassable et insaisissable qui surfe entre le laisser aller de l\u2019improvisation et la rigueur m\u00e9tronomique du beat.\n<\/pre>\n\n\n\n<hr class=\"wp-block-separator is-style-wide\"\/>\n\n\n\n<p><strong>10 Interval<br><\/strong>Date de cr\u00e9ation : mars 2019<br>Date de finalisation :<\/p>\n\n\n\n<ul><li>Instruments : Korg Z1, DSI Rev2; VST : GrooveAgent 4, Loopmash, Retrologue<\/li><li>Samples : NA<\/li><li>Musique : EdiptiX<\/li><li>Paroles : NA<\/li><li>Chant : NA<\/li><\/ul>\n\n\n\n<pre class=\"wp-block-verse\">Anecdote : Le premier morceau con\u00e7u par EdiptiX sur base d\u2019une structure pr\u00e9d\u00e9finie. Les intervalles sont d\u00e9finis mais pourtant, chassez le naturel il revient au galop, EdiptiX improvise dans les espaces temporels, couplets et refrains, qui sont \u00e0 sa merci.<\/pre>\n\n\n\n<hr class=\"wp-block-separator is-style-wide\"\/>\n\n\n\n<p><strong>11 Fragment II<br><\/strong>Date de cr\u00e9ation : mars 2019<br>Date de finalisation : janvier 2020<\/p>\n\n\n\n<ul><li>Instruments : DSI REv2, Yamaha Motif XS; VST : Cubase<\/li><li>Samples : NA<\/li><li>Musique : EdiptiX<\/li><li>Paroles : NA<\/li><li>Chant : NA<\/li><\/ul>\n\n\n\n<hr class=\"wp-block-separator is-style-wide\"\/>\n\n\n\n<p><strong>12 Optimism<br><\/strong>Date de cr\u00e9ation : mars 2019<br>Date de finalisation :<\/p>\n\n\n\n<ul><li>Instruments : DSI Rev2, Yamaha Motif XS, Soma Lyra 8, Roland D50, Korg Z1; VST : GrooveAgent 4, HALion 6<\/li><li>Samples : NA<\/li><li>Musique : EdiptiX<\/li><li>Paroles : NA<\/li><li>Chant : NA<\/li><\/ul>\n\n\n\n<pre class=\"wp-block-verse\">Anecdote : Une autre improvisation d\u2019EdiptiX dont la premi\u00e8re d\u00e9mo f\u00fbt consid\u00e9r\u00e9e comme la premi\u00e8re d\u00e9ception d\u2019Esynth qui affichait un pessimisme non feint. Mais il ne se laisse pas abattre et r\u00e9organise le tout. La d\u00e9mo suivante lui redonne l\u2019espoir et nous voici plein d\u2019optimisme pour donner \u00e0 ce morceau un c\u00f4t\u00e9 unique dans le catalogue EdiptiX.<\/pre>\n\n\n\n<hr class=\"wp-block-separator is-style-wide\"\/>\n\n\n\n<p><strong>13 I (part I, part II, part III)<br><\/strong>Date de cr\u00e9ation : janvier 2019<br>Date de finalisation : d\u00e9cembre 2019<\/p>\n\n\n\n<ul><li>Instruments : Moog Sub37, Novation MiniNova, DSI Rev2; VST : Loopmash, Groove Agent 4, Clock Free VST, DRMR, HALion Sonic, Stutter Edit, Creepy Piano free VST, Vocal Synth<\/li><li>Samples : NA<\/li><li>Musique : EdiptiX<\/li><li>Paroles : VicomtiX<\/li><li>Chant : VicomtiX<\/li><\/ul>\n\n\n\n<pre class=\"wp-block-verse\">Anecdote : Inspir\u00e9 par une jam session (nom de code Live0040) dont il reprend certains enregistrements, ce morceau \u00e9volue en plusieurs parties symbolisant notre existence au sein de l\u2019univers ainsi que l\u2019existence de l\u2019univers lui-m\u00eame.<\/pre>\n\n\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\"><p>La partie 1 est la naissance de l\u2019univers, avant m\u00eame que nous y existions.<br>La partie 2 est la p\u00e9riode durant la quelle nous existions dans cet univers.<br>La partie 3 suit l\u2019univers alors que nous n\u2019y sommes plus\u2026l\u2019univers a-t\u2019il une existence finie lui aussi?<\/p><\/blockquote>\n\n\n\n<p>Lyrics<br>There was a time<br>I wasn\u2019t there<\/p>\n\n\n\n<p>There is the time<br>I\u2019m here<\/p>\n\n\n\n<p>There will be a time<br>I won\u2019t be anymore<\/p>\n\n\n\n<p>And the universe keeps going on<\/p>\n\n\n\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Universal Emotions from Nephylion ESt NOTRE TROISIEME album PUBLIE EN JANVIER 2020. 1 &#8211; Time In (0:33)2 &#8211; L&rsquo;Ame (8:34)3 &#8211; Changing Mood (6:26)4 &#8211; Blue Sun (6:32)5 &#8211; Hommages (6:02)6 &#8211; Inhuman Man (4:38)7 &#8211; Anachord (5:42)8 &#8211; Fragment I (1:45)9 &#8211; Between The Lines (6:40)10 &#8211; Interval (3:56)11 &#8211; Fragment II (0:56)12 &#8211; &hellip; <\/p>\n<p class=\"link-more\"><a href=\"https:\/\/ediptix.net\/fr\/47-2\/universal-emotions-from-nephylion\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> \u00ab\u00a0Universal Emotions From Nephylion\u00a0\u00bb<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":103,"parent":47,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"template-full.php","meta":{"footnotes":""},"_links":{"self":[{"href":"https:\/\/ediptix.net\/fr\/wp-json\/wp\/v2\/pages\/59"}],"collection":[{"href":"https:\/\/ediptix.net\/fr\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/ediptix.net\/fr\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/ediptix.net\/fr\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/ediptix.net\/fr\/wp-json\/wp\/v2\/comments?post=59"}],"version-history":[{"count":36,"href":"https:\/\/ediptix.net\/fr\/wp-json\/wp\/v2\/pages\/59\/revisions"}],"predecessor-version":[{"id":290,"href":"https:\/\/ediptix.net\/fr\/wp-json\/wp\/v2\/pages\/59\/revisions\/290"}],"up":[{"embeddable":true,"href":"https:\/\/ediptix.net\/fr\/wp-json\/wp\/v2\/pages\/47"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/ediptix.net\/fr\/wp-json\/wp\/v2\/media\/103"}],"wp:attachment":[{"href":"https:\/\/ediptix.net\/fr\/wp-json\/wp\/v2\/media?parent=59"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}